The MotherLine is a contemporary reflection on The Madonna in Italian painting. On large digital prints of Italian Madonnas, specifically those done by the Italian Masters Duccio, Cimabue and Giotto, Stromberg 'covers' the entire image in paint, erasing the image itself and leaving only the underlying shapes of the historic works.  She then scraped back into the works, peeling away the paint with drawings that relate to different contemporary domestic situations of mothering, with a particular emphasis on experiences of illness and healing. 

Reflecting on ideas of re-covery in relation to the sacred mother, MotherLine attempts to problematize and re-contextualize this historic idiom of art, collapsing ideological and patriarchal constructions of motherhood, while highlighting the inter-relational lessons of mothering and art through and outside of time.